How is odd future live

Streetwear brands, namely Supreme, were revitalized with their co-signs. They were neither the first alternative rappers nor the first shock rappers nor the first DIY rappers, but they were the first to parlay those qualities into sustainable careers that positioned them alongside cultural leaders. Recent years have seen the rise of punk-indebted rappers like Lil Uzi Vert and Juice WRLD, as SoundCloud has ushered in a sea of real-life undesirables riding a wave of distorted basslines and skittish flows.

Both trends are inextricably linked to Odd Future. Their use of the internet to achieve virtual exposure and generate loyalty via transparency was the first of its kind to successfully scale barriers to mainstream fame. Years before social media apps like Instagram or Snapchat allowed people to feel like they had access to the behind-the-scenes happenings of their favorite artists, Odd Future let fans peer into their lives. They constantly updated their Tumblr and YouTube with photos and videos—of the collective working, skateboarding, eating, or simply just hanging out.

The pseudo intimacy of these posts also helped them transcend from local friends to cult stars; they were a group where everyone was made to feel included, a family that brought in fans on the other side of the screen.

Odd Future was always the kind of collective that could make lightning strike twice. Their first act as a brash collective of adolescents eventually gave way to a second act as mature solo artists leading the new school. Initially, the sheer intensity of their manic adolescent expression incited an equally unhinged fanbase whose insatiable appetites for more music and chaos could never be sustained. After that rebellious introduction, though, what they left was a world built in their image: an already youthful genre now more carefree, popular black music that knows the rhythm of queerness and suburban angst, returned to collect on its whitewashed past.

Even the non-teenagers seemed young. It's a "Jackass"-meets-"Chappelle's Show" sketch show; everyone in my vicinity seemed to become really interested in bootlegging it on their phones. After the crowd became good and lathered, Left Brain carrying an open red, white, and blue America umbrella and Hodgy Beats took the stage to "64", from MellowHype 's BlackenedWhite reissue on Fat Possum. A few more members of Odd Future trickled onto stage, including Tyler, the Creator , who launched in "Transylvania", from Goblin.

Domo Genesis jumped in with Tyler for "Rolling Papers". The whole group was involved. As their set progressed through newer tracks like "Lean", "50", and "Ned Flander", most of the group was on stage at all times, dancing, shaking, and rapping along.

Even when Domo or Mike G weren't specifically featured on a song, they were still involved. Even Jasper was on stage carousing and drinking Hennessy. At one point, Tyler stopped the show.

I was We had our first show at Webster Hall. And a year and two months later, we're playing this show. Back then we only had a handful of songs to play. This was one of them. This kicked off a brief run of more obscure songs, some stuff from side projects. But by the time the run ended with "Tang Golf", things sort of blew up. Give it up to Frank for having the most bitches. Fans, dazed and hungry for more, wandered zombie-like, rapping every world.

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